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Complete Production Toolkit 2 Guide96
Divergence
In the Panner Grid, the current divergence val-
ues are displayed using a purple outline.
By default, Pro Tools surround panners are
100% or fully divergent, meaning that a signal
that is panned completely to one speaker will
only be audible in that speaker.
Lower divergence settings result in a progres-
sively wider source signal. When Divergence is
less than 100%, tracks will be routed to neigh-
boring speakers to some degree, even when the
Pan Location cursor is positioned next to a sin-
gle speaker.
To adjust divergence:
Adjust the Front, Rear, and Front/Rear Diver-
gence controls as necessary.
Divergence Editing Mode
In Divergence Editing mode, you can adjust the
divergence boundaries by dragging directly in
the Divergence Grid.
To adjust divergence graphically:
1 Click on the Panning Mode button until the
Divergence Editing icon is displayed.
2 Drag in the Grid to resize the divergence
boundaries.
Center % (Percentage)
Center Percentage controls whether there is a
discrete center channel for the track or a phan-
tom center channel.
Center Percentage Example
In film and video production, the center chan-
nel often contains dialog. To enhance the clarity
of dialog, it is often beneficial to keep elements
such as music out of the center speaker. By re-
ducing the Center Percentage on music tracks,
music panned to the front of the sound field can
be panned to only the left and right speakers,
forcing them to have a variable phantom center
image.
Divergence display and controls
Front Divergence at less than 100% for wider panning
Divergence display
Divergence controls
Front
Divergence
Pan Location
cursor
Panner Mode button set to Divergence Editing
Divergence Editing icon
- Complete Production Toolkit 2 1
- Legal Notices 2
- Documentation Feedback 2
- Contents iii 3
- Contents v 5
- Introduction 6
- Additional Software 7
- System Requirements and 8
- Compatibility 8
- Registration 8
- Conventions Used in This 8
- About www.avid.com 9
- Installing Complete 10
- Production 2 Toolkit 10
- Authorizing Complete 11
- Production Toolkit 2 11
- Uninstalling Complete 12
- Option and Included Plug-Ins 12
- Session and Track Features 14
- VCA Master Tracks 15
- VCA Master Track Controls 16
- Record Enable 17
- Level Meter 17
- Advanced Group Dialog 18
- Mix Groups 19
- Setting Group Attributes 19
- Selecting Group Attributes 20
- Momentary Solo Latch Option 21
- Setting Playback Location 22
- Commands 22
- Play Commands 23
- Numeric Keypad Set to 24
- AutoFades 24
- Preferences 25
- Automation Section 26
- Advanced Editing Features 28
- Replacing Audio Regions 29
- Replace Region Dialog 30
- 2 Do one of the following: 31
- 4 Click OK 31
- TCE (Time Compression and 32
- Expansion) Edit To Timeline 32
- Selection 32
- Expanding Alternate Channels 33
- Advanced Automation Features 36
- AutoJoin Indicator 37
- Trim Off 38
- Read Trim 38
- Touch Trim 39
- Latch Trim 39
- Touch/Latch Trim 39
- Write Trim 39
- Composite Automation 40
- Playlist 40
- Copy Track Automation to 41
- AutoMatch 42
- Prime Controls for Writing 43
- Automation in Latch Mode 43
- AutoMatch button 44
- Glide Automation 45
- Trim Automation 47
- Suspending Trim Automation 49
- Clearing Trim Automation 49
- Automation Write to 50
- Start/End All buttons 50
- Automation Write On 51
- Stop buttons 51
- Write Automation to the Next 52
- Breakpoint or to the Punch 52
- Point and Trim Mode 54
- Guidelines for “Write To” 55
- Overwrite or Extend Mute 56
- Automation 56
- Mute on state overwritten 57
- Snapshot Automation 59
- Automation Playlists 60
- Existing Automation Data 60
- Elsewhere 61
- Preview Automation 62
- Previewing New Automation 63
- Suspending Preview Mode 64
- Punching Preview Values 64
- Preview Mode and “Write To” 64
- Isolating Multiple Controls 64
- Capture Automation 65
- Punching Captured Automation 66
- All Controls 66
- Capture and Trim Mode 67
- Capture and Preview Mode 68
- VCA Master Track Automation 69
- Coalescing VCA Automation 70
- Duplicating a Slave Track 71
- Surround Features 72
- New Sessions 73
- Multichannel I/O Setups) 73
- Custom Multichannel Paths 73
- Importing Session Data 73
- Default 5.1 Output Paths 75
- Default 5.1 Output Bus Paths 75
- Example LCRS Setup 76
- Metering 77
- Default I/O Selectors in I/O 78
- Routing Audio for Surround 79
- Multichannel Audio Tracks 80
- Changing Format 81
- Multichannel Signal Routing 82
- Multichannel send panner 83
- Mono meter 83
- Mono output format 83
- Master Faders 84
- Mono, Multi-Mono and 84
- Multichannel Plug-Ins 84
- Multi-Mono Plug-Ins 85
- Paths in Surround Mixes 86
- Example Paths and Signal 88
- Routing for a Surround Mix 88
- Submix Stem Examples 89
- Surround Mixing 89
- Multiple Output Assignments 89
- Figure 7. FX stem 90
- Figure 8. Music stem 90
- LFE and Filtering 91
- LFE fader 91
- Click and drag to pan 92
- Output Windows 93
- Surround Panner Controls 94
- X/Y grid 95
- X/Y mode icon 95
- Front/Rear Inverse 96
- Front Inverse 96
- Rear Inverse 96
- Panning Mode button 97
- 3-Knob trajectory 98
- 3-Knob mode 98
- AutoGlide Mode 99
- AutoGlide mode 100
- Snap Pan to 100
- Speaker icons 100
- Pan Location 100
- Divergence 101
- Center % (Percentage) 101
- LFE Faders in Multichannel 102
- 5.1 Format Track Layouts 103
- Video Features 104
- Support for Video Import 105
- Video Regions 105
- Basic Video Editing Features 106
- Managing Regions 107
- Chapter 7: Video Features 103 108
- Video Region Groups 109
- Browsing Video in the Video 109
- Universe Window 109
- Universe 110
- Included Plug-Ins 112
- Numerics 114
- Index 111 116
- Index 113 118
- Technical Support (USA) 119
- Product Information 119
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