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Chapter 6: Surround Features 67
chapter 6
Surround Features
Pro Tools with Complete Production Toolkit 2
supports surround mixing. Pro Tools supports
mixing in the following multichannel (greater
than stereo) formats: LCR, Quad, LCRS, 5.0, 5.1,
6.0, 6.1, 7.0, 7.0 SDDS, 7.1, and 7.1 SDDS.
Pro Tools with the Complete Production
Toolkit2 option and 003, 003 Rack, 003 Rack+,
Digi 002, or Digi 002 Rack can monitor discrete
mixing in surround up to 7.1.
Pro Tools with the Complete Production Toolkit
2 option and Mbox Pro or Mbox 2 Pro can only
monitor discrete mixing in surround up to 5.1.
With Complete Production Toolkit 2, you can
open surround sessions on any Pro Tools sys-
tem. Use the Neyrinck SoundCode Stereo down
mixer plug-in for monitoring surround sessions
in stereo with audio interfaces that have fewer
than six outputs. For more information, see the
SoundCode Stereo Guide.
Pro Tools Audio Connections
for 5.1 Mixing
While all 5.1 mixing formats provide the same
speaker arrangement, there are three primary
standards in use for the track layout of the indi-
vidual channels that comprise the 5.1-format
multichannel mix.
In the following table, it is assumed that sur-
round channels are assigned to outputs 1–6 of a
Pro Tools audio interface. Use channels 7–8 to
monitor a stereo mix for a stereo version, or for
cue mixes and monitoring.
Low Latency Monitoring (003 and 002
family interfaces only) is unavailable in
surround sessions.
For information on fundamental surround
concepts, see the Pro Tools Sync & Surround
Concepts Guide.
Table 1. Track Layouts for 5.1 Formats
Formats Track Layout
123456
Film
(Pro Tools
default)
or C24
LCRLsRsLFE
SMPTE/ITU
for Dolby
Digital (AC3) or
Control|24
LRCLFELsRs
DTS
or ProControl
LRLsRsCLFE
- Complete Production Toolkit 2 1
- Legal Notices 2
- Documentation Feedback 2
- Contents iii 3
- Contents v 5
- Introduction 6
- Additional Software 7
- System Requirements and 8
- Compatibility 8
- Registration 8
- Conventions Used in This 8
- About www.avid.com 9
- Installing Complete 10
- Production 2 Toolkit 10
- Authorizing Complete 11
- Production Toolkit 2 11
- Uninstalling Complete 12
- Option and Included Plug-Ins 12
- Session and Track Features 14
- VCA Master Tracks 15
- VCA Master Track Controls 16
- Record Enable 17
- Level Meter 17
- Advanced Group Dialog 18
- Mix Groups 19
- Setting Group Attributes 19
- Selecting Group Attributes 20
- Momentary Solo Latch Option 21
- Setting Playback Location 22
- Commands 22
- Play Commands 23
- Numeric Keypad Set to 24
- AutoFades 24
- Preferences 25
- Automation Section 26
- Advanced Editing Features 28
- Replacing Audio Regions 29
- Replace Region Dialog 30
- 2 Do one of the following: 31
- 4 Click OK 31
- TCE (Time Compression and 32
- Expansion) Edit To Timeline 32
- Selection 32
- Expanding Alternate Channels 33
- Advanced Automation Features 36
- AutoJoin Indicator 37
- Trim Off 38
- Read Trim 38
- Touch Trim 39
- Latch Trim 39
- Touch/Latch Trim 39
- Write Trim 39
- Composite Automation 40
- Playlist 40
- Copy Track Automation to 41
- AutoMatch 42
- Prime Controls for Writing 43
- Automation in Latch Mode 43
- AutoMatch button 44
- Glide Automation 45
- Trim Automation 47
- Suspending Trim Automation 49
- Clearing Trim Automation 49
- Automation Write to 50
- Start/End All buttons 50
- Automation Write On 51
- Stop buttons 51
- Write Automation to the Next 52
- Breakpoint or to the Punch 52
- Point and Trim Mode 54
- Guidelines for “Write To” 55
- Overwrite or Extend Mute 56
- Automation 56
- Mute on state overwritten 57
- Snapshot Automation 59
- Automation Playlists 60
- Existing Automation Data 60
- Elsewhere 61
- Preview Automation 62
- Previewing New Automation 63
- Suspending Preview Mode 64
- Punching Preview Values 64
- Preview Mode and “Write To” 64
- Isolating Multiple Controls 64
- Capture Automation 65
- Punching Captured Automation 66
- All Controls 66
- Capture and Trim Mode 67
- Capture and Preview Mode 68
- VCA Master Track Automation 69
- Coalescing VCA Automation 70
- Duplicating a Slave Track 71
- Surround Features 72
- New Sessions 73
- Multichannel I/O Setups) 73
- Custom Multichannel Paths 73
- Importing Session Data 73
- Default 5.1 Output Paths 75
- Default 5.1 Output Bus Paths 75
- Example LCRS Setup 76
- Metering 77
- Default I/O Selectors in I/O 78
- Routing Audio for Surround 79
- Multichannel Audio Tracks 80
- Changing Format 81
- Multichannel Signal Routing 82
- Multichannel send panner 83
- Mono meter 83
- Mono output format 83
- Master Faders 84
- Mono, Multi-Mono and 84
- Multichannel Plug-Ins 84
- Multi-Mono Plug-Ins 85
- Paths in Surround Mixes 86
- Example Paths and Signal 88
- Routing for a Surround Mix 88
- Submix Stem Examples 89
- Surround Mixing 89
- Multiple Output Assignments 89
- Figure 7. FX stem 90
- Figure 8. Music stem 90
- LFE and Filtering 91
- LFE fader 91
- Click and drag to pan 92
- Output Windows 93
- Surround Panner Controls 94
- X/Y grid 95
- X/Y mode icon 95
- Front/Rear Inverse 96
- Front Inverse 96
- Rear Inverse 96
- Panning Mode button 97
- 3-Knob trajectory 98
- 3-Knob mode 98
- AutoGlide Mode 99
- AutoGlide mode 100
- Snap Pan to 100
- Speaker icons 100
- Pan Location 100
- Divergence 101
- Center % (Percentage) 101
- LFE Faders in Multichannel 102
- 5.1 Format Track Layouts 103
- Video Features 104
- Support for Video Import 105
- Video Regions 105
- Basic Video Editing Features 106
- Managing Regions 107
- Chapter 7: Video Features 103 108
- Video Region Groups 109
- Browsing Video in the Video 109
- Universe Window 109
- Universe 110
- Included Plug-Ins 112
- Numerics 114
- Index 111 116
- Index 113 118
- Technical Support (USA) 119
- Product Information 119
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