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Chapter 6: Surround Features 79

Multichannel Auxiliary Inputs and

Master Faders

A multichannel Auxiliary Input or Master Fader

is used as a return for the multichannel bus.

Sends are useful when you need to create an ad-

ditional, independent mix simultaneously (per-

haps of a distinct format), requiring dedicated

fader, mute, solo, and automation controls.

You can assign Master Faders to main and sub-

paths. Main paths must match the format of the

Master Fader, and only one Master Fader can be

active and assigned to any single (active) main

or sub-path. A Master Fader cannot be assigned

to a sub-path if its associated main path is al-

ready assigned on another Master Fader.

Multichannel Instrument Tracks

Multichannel tracks can be used to monitor and

route multichannel instrument plug-ins or mul-

tichannel external MIDI instruments.

Mono, Multi-Mono and

Multichannel Plug-Ins

Plug-ins can be used in mono, multi-mono, or

multichannel formats.

For information about mono, stereo, and mono-

in/stereo-out plug-ins, see the Pro Tools Reference

Guide.

Multi-Mono Plug-Ins Are designed for use on ste-

reo or greater-than-stereo multichannel tracks.

Multi-mono plug-ins are useful, or required, in

the following situations:

• When a plug-in does not involve multichan-

nel correlated processing (for example, when

applying EQ to select sides of a multichannel

signal)

• When you need to adjust signals within the

multichannel track independently

• When a plug-in does not support multichan-

nel formats

When a multi-mono plug-in is first inserted on a

multichannel track, the plug-in controls are

linked. You can unlink them for independent

adjustment. See “Linking and Unlinking Con-

trols on Multi-Mono Plug-Ins” on page 80 for

more information.

Multi-mono plugs-ins can also be inserted on

stereo tracks, to apply unlinked plug-ins on the

left and right channels.

Multichannel Plug-Ins Are designed for use on

stereo and multichannel tracks that require cor-

related processing, including stereo and multi-

channel limiting, compression, and similar ef-

fects.

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